Global - ....For myself; after an absence of 19 years from the Panorama arena, the prospect of returning evoked a myriad of conflicting thoughts and emotions, which started with the initial offer made to me by the late (WITCO Desperadoes leader) Rudolph Charles in February, 1984, my final acceptance in November, ’84, and did not really end until the personal elation that I felt on Carnival Sunday morning when, true to my superstition of not waiting around for the final tally of points after the Panorama final the night before, I inquired of a young newspaper vendor on Frederick Street and his reply was music to my ears: “Renegades and Despers tied for first.”


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  • Bev, what can I say. You have spoken, and through this medium you will be heard. I want to congratulate you for those indelible efforts over the years which have resulted in successes too numerous to mention, but which I know have earned you the respect and love that you deserve. Whenever we chat at the panyard, I am almost always enthused by your solid thought and your cool, calm, collectively quiet disposition. May God give you the strength to continue on doing what you know best. And, by his good graces we will meet again next Carnival 2011. ONE LOVE MY BROTHER!!
  • I find it somewhat sad that an interview from 26 years ago should still be relavant today in terms of the problems
    facing the steelband fraternity. Especially when it concerns pan on the road.

    Like Bev said in the 3rd paragraph from the end, all concerned should have addressed the issue of the disappearing Carnival steelbands years ago.

    When I returned to trinidad for Carnival 2005 having spent 39 years away I was amazed at the lack of steel on the streets.

    The following year when I visited my boyhood band STARLIFT it was soon evident why. Everything was geared to Monday mas and Panorama.

    On the Tuesday only a 3rd of the bands masqueraders turned up. In 2007 I was determined to play both days and again on the Tuesday the bands numbers were depleted.

    It appears that only All Stars, Exodus, Starlift and Renegades strive to carry on the tradition. To this day I still don't know why any one other than athletes would wish to jog around POS in that heat to the accompaniment of fast big truck music.

    It appears that gone are the days of Tuesday productions like Ceremony of the Red Men, Splendour Among the Himalayans, and Of Feast and Festivals these were preceeded by Teenage Milionaires, Festival of the Flowers and I forgot the other Monday mas presentation but at least Starlift commanded 1500 + every year - all to the sounds of a full steelband 100 players plus.

    I suppose to most Trinis nowadays I'm considered a dinosaur but the importance of Panorama prize money put paid to all that. Not that I don't agree with big prizes.

    I would love to know when last a steelband at carnival had more than 4 tunes in their repatoire.

    Is it only the older ones can see the whole thing slipping away?



    Anyway why don't the truck DJs play steelband records? oh I forgot it costs too much to record them.

    Randi Curvan
    • We're on the same page , Randi.

      And BTW, there is a wealth of recorded pan music out there, so there is no reason why DJ.s couldn't play pan music on the road at Carnival if they wanted to.

      Maybe pan people could provide their own DJ's.
  • Thanks for your brilliant comments on the pan. I still think that pan is hear to stay, so what if the pan leaders push for the big bands to accept at lease one band in there sections to accommodate the pan lovers.
    What do you think of this idea? I am a Monday Starliff man and Tuesday i just walk around.
    Eddy
  • It's great to read the reflections of Mr Beverly Griffith on his association with Desperadoes Steel Orchestra and on the state of pan, even from 25 years ago.

    I've been a fan of Mr Griffith's since the days when he was arranging and playing piano in my favorite T&T band of the early sixties, the Clarence Curvan Orchestra.

    He is one of the musical giants of T&T, and a major influence in shaping the sound and direction of Trinidad's music back then, and he impacted both the steel band and the dance orchestra.

    it would be even better to read or hear his opinions of the state of pan today.

    I can only hope that he and other notable pan people who have a wealth of background pan knowledge would add their thoughts to the historical record, and this forum is an excellent place to do that.
    .
  • Its nice to hear Master Beverly Griffith speak on his return to the Panorama arena back in 1985. I was fortunate to have the pleasure of playing 'Bev ' as he is fondly called, music in the years of 1965 to 1966. It was one of my most memorable time in my Steelband music career. As a young man at the age of seneteen [17] years, I joined the then Coca Cola Gay Desperadoes Steel Orch along with a lot of other teenagers among them, the Great Pannist and Arranger Master Robbie Greenidge. We all were amazed by the great musical ability of Bev, his unique style of incorporating a question and answer type of response between the melody pans and the guitars and cellos. It was some thing new to the pan-world. If some one listens to Desperadoes 1965 album they would understand exactly what I am saying, he also brought the jazz influence to our music. His arrangement of Sparrow 'Obeah Wedding also started Despers on their way to be the winningest Steel-band in Panorama history. Whenever the annuals of steel-band and arranging is written or spoken. Master Beverly Griffith's and Desperadoes name will always be mentioned. I was very fortunate to have participated musically with that august combination.
    • Indeed, the legacy of Gay Desperadoes' Hold on to Your Man, Congo Man, My Pussin and many other tunes of 1964/65 shall remain a fitting statement of Beverly Griffiths's contribution to pan.

      Peter
  • Hi Beverly.....great hearing your nostalgic piece on the "Despers" and your assessment on Pan.....it is nice to see that you have kept in touch with the Band......sincerely, a respecter of you and brother Selwyn's music, junior leiba (formerly of St.mary's College and Cipriani Blvd)
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