In The Middle of a Couple of Different Worlds
JONATHAN SCALES, PANIST FROM ANOTHER PLANET
Another When Steel Talks Special - By Dalton Narine -
Global - Jonathan Scales plays a voguish style of pan. And he does so by articulating life and personal experiences that are crowned in a mélange of musical idioms and styles. Like the mix of instruments in the Panorama, each offers its own delicacy in a smorgasbord of sounds. But, with Scales, the buffet is spooned out as treats from his exotic mind. Here, try this, the band Jonathan Scales Fourchestra seems to be saying. Savor the flavor. And next thing you know he’s whetting your appetite for pleasure. Most times, though, he’s building intense pulses that are esoteric to the ordinary ear, though leaving the listener mesmerized by a welter of skills. Such wizardry brings to mind the admiration for a mason who cannot afford to whiff in selecting the right fit among a mingle-mangle of stones to produce that rare architecture of cobblestone homes. Indeed, when you look a it - or receive it - you’re left with a memento of his challenges. Scales, 26, married with no children, has just released a nine-track CD, Character Farm and Other Short Stories. You’d be missing out on a great opportunity to sample Scales’ precise compositions as well as the band’s novel and painterly expressions.
The following is an interview conducted a few weeks before the CD was distributed. It is accompanied by mini reviews of the new work.
Replies
Very interesting, his mention of Bella Fleck as a primary influence on his musical style. Fleck is an icon in the world of serious jazz. His name like his instrument (the banjo) may not be popular but his rythmns are sick.
Great interview Dalton.
bugs
Good work. Just hope that some people are aware that Othello Mollenux was doing more complex fusion, rock and jazz with Jaco Pastorius, in the 80's. I just saying.