The connection between musical rhythms and how we play

By Shaun Fuentes

(published with the expressed permission of the author - Shaun Fuentes (pictured))

What sim­i­lar­i­ties are there be­tween T&T and Brazil, if any? The first thing that comes to mind is Carnival.

Like Brazil, we are a coun­try in­clu­sive of im­mi­grants and like them, our an­nu­al Carni­val cel­e­bra­tion is used to cre­ate and di­vulge the con­cept of na­tion­al iden­ti­ty, of a fun-lov­ing, hap­py peo­ple in a per­ma­nent state of danc­ing cel­e­bra­tion.

It has been said that the move­ment and rhythm of music in­flu­ence the ap­proach to foot­ball of dif­fer­ent cul­tures and na­tion­al­i­ties in Brazil. “Show me the way a man dances,” said one promi­nent South Amer­i­can coach, “and I will tell you how he plays foot­ball.” The pound­ing of the drums and the sway of the hips are vi­tal to the tra­di­tion of Brazil­ian foot­ball, where not all the steps are to be be­lieved - some are feints de­signed to fool the op­po­nent.

You re­mem­ber the call of “Kaiso­ca Soc­cer” by for­mer Na­tion­al coach Ever­ald “Gal­ly” Cum­mings. Was there a con­nec­tion be­tween our mu­sic and cul­ture and the way we played the game. Do we still have that in­flu­ence? We did have it but not so much any­more, said Strike Squad for­ward Leonson Lewis.

“Yes and no to that ques­tion as to whether there is a con­nec­tion be­tween our mu­sic and rhythm and the way we play foot­ball,” Lewis told me last week.

“I re­mem­ber in the 1980s, Gal­ly used to tell us about Kaiso­ca Soc­cer. He used that term based on the strengths of the play­ers and their at­trib­ut­es. The speed, agili­ty, the way we could move with the ball at our feet, the tem­po at which we played. Of course, I think there was an in­flu­ence. My moth­er had me joined an Arawak dance group from a very young age and then with Eu­g­ine Joseph in Mon Re­pos and mom would al­ways tell me she sees the danc­ing style in me when­ev­er I played. The way I moved my feet but al­so I used to use my shoul­ders a lot in play­ing and that came from the danc­ing.

“We would have a lot of mu­sic play­ing on the bus and rhythm sec­tions. So yes to back then but like you said the foot­ball has evolved so much since that I don’t think we or any oth­er coun­try has any par­tic­u­lar brand of foot­ball that they re­fer to as theirs any­more. There are so many oth­er el­e­ments in the game now and I don’t think we as a coun­try see that in­flu­ence of our rhythm as a peo­ple in we play anymore,” Lewis added.

Brazil­ian foot­ball has of­ten been por­trayed as a Car­nival in boots, the play­ers tak­ing the field more interested in self-ex­pression and en­joy­ment than in win­ning the game, hap­py to con­cede five goals as long as they can score six, and hap­py even if they don’t. Per­haps we were al­so like that. I’ve been told time and again that back in the day the play­ers played with more ex­cite­ment and love for the game.

Tim Vick­ery, a res­i­dent of Brazil, wrote, “But all the sam­ba stuff can be exaggerated. First, Brazil is huge, and sam­ba is not the rhythm of pref­er­ence in much of the coun­try. The last man to lead Brazil to World Cup glo­ry was Luiz Fe­lipe Sco­lari, who like many of to­day’s top Brazil­ian coach­es comes from the south, a region much more in­flu­enced by mass Eu­ro­pean im­mi­gra­tion. It is not easy to imagine Sco­lari danc­ing the sam­ba.” So there’s a twist.

Clay­ton Mor­ris, the cap­tain of the 1989 Strike Squad be­lieves there is an in­flu­ence in our style of players but per­haps not as much on our gen­er­al style of play?

“This is a very in­ter­est­ing and im­por­tant top­ic and yes this had an im­por­tant part in my life as a sportsman and na­tion­al foot­baller...I was born in a mu­si­cal fam­i­ly and grew up in a mul­ti­cul­tur­al community in St Ann’s,” Mor­ris said.

Steel band mu­sic caught my at­ten­tion from as ear­ly as five years. I re­call in the ear­li­er days on the national youth team.  Win­ston Phillip who was al­so in­volved in Steel­band at the time - we had a rhythm sec­tion on the team bus which mo­ti­vat­ed the play­ers be­fore games..this was clear dur­ing the Strike squad cam­paign in 1989 with all the ca­lyp­so songs that were pro­duced dur­ing that time..so yes this is very im­por­tant and adds to a na­tion’s cul­tur­al tra­di­tion in sports and more,” he con­tin­ued.

So the de­bate goes on. Is there a con­nec­tion, whether it be in foot­ball, track and field, crick­et or oth­er sports. Hold on. what if our laid back ap­proach as a peo­ple is neg­a­tive­ly af­fect­ing what our ath­letes do out there? That dis­cus­sion is for an­oth­er day.

SEE MORE

_________________

Shaun Fuentes is the head of TTFA (Trinidad & Tobago Football Association) Media. He is a former FIFA Media Officer at the 2010 FIFA World Cup in South Africa and currently a CONCACAF Competitions Media Officer

You need to be a member of When Steel Talks to add comments!

Join When Steel Talks

Votes: 0
Email me when people reply –