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Do you remember "Chippin"?

A thought occurred to me that I had almost forgotten.

Remember when Carnival in Trinidad used to be a two speed affair?.

Long before the DJs, we had music bands on the road, and their music was at a faster tempo than the steelbands.

Most of the big costume bands (we called them "Historical" bands) preferred the brass bands for their music, and their masqueraders "jumped up" much like they do today with the DJs.

On the other hand, if you played mas with a steelband, it would have been a military mas or a simpler costume like cowboys, lumberjacks etc.

The steelbands held a slower pace, and moving along to their beat was called "chippin". By the end of the day, most people chose "chippin" over "jumping up"

It is interesting to  note that as the steelbands participation on the road declined, so did the "chippin".



Of course, the change in music tastes to the faster soca style also accelerated the disappearance of "chippin".

 

I remember the calls by calypsonians like Maestro and others for steelbands to pick up the tempo.

 

But one can not help but  wonder if a more aggressive effort of the steelbands to stay involved on the road would have kept the slower steelband "chippin" style as an alternative to todays manic jumping up on the streets at carnival..

 

Just a thought, folks!

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The PAN BUZZ!!

Trinidad & Tobago, W.I.
 
Hey Readers!
 
It is good to be back on track, giving you all the latest info, and of course lacouray (gossip) in the Steelband world, plus commentaries. First off, I want to say thanks to  WhenSteelTalks  for giving me the opportunity to keep the Pan Talk going.  Thanks, guys!
 

PANORAMA
We start with Panorama 2012 and the war drums that are being banged. As you know the Buzz gets it live and direct, and my spies tell me that four pan songs are out of the Sunset Studio of Leston Paul. What this tells me is that Pan song composers are no longer playing the waiting game... or games for that matter.
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jpeanut987.jpg?width=150
It’s now fire and steel, as Pan song composers go toe to toe in this brutal battle for Pan supremacy. The tandem of Jason ‘Peanuts’ Isaac
(pictured) of JPI Music, Brooklyn, New York, and his new sidekick and lyricist Anthony “Lexo” Alexis, are coming with a cracker of a song yet to be named. All I can say of course is that the sexy, delicious, “voicelicious” (my word) and tantalicious vocalist Natalie Yorke is doing the honours. “Lexo” and Len “Boogsie” Sharpe fell out over some filthy lucre and both men can no longer see eye to eye. You will be getting more on this development... and others. The Sharpe/Alexis team had a successful run for six years.
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Heard from the 1993 Pan Ramajay winner (soloist category) Dennis “Smithy” Smith who plays the cruise circuit with his band Canejuice. The man is awesome and could hold his own with the best in the business. Dennis is back home in Trinidad on holidays and is working feverishly in Fyzo (Fyzabad) on his 2012 ‘Pan In Yuh Face’ composition. I tell you, Panorama next year will be hotter than the mid-day sun, and don't doubt the Pan Buzz.
  
GET WELL WISHES
pouchet1265.jpg?width=150The Pan Buzz is all about love and wishes to send get well greetings to Eddie Yearwood and Edwin Pouchet (pictured) of PCS Silver Stars. Both men are ill with heart problems.
 
Until next week, wherever you are in Pan’s Diaspora, keep on loving The Pan.
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how-can-we-make-the-pan-more-marketable

http://www.peppertt.com/index.php/blog/marketing-strategy/how-can-we-make-the-pan-more-marketable/

Pan needs a big idea. Like when Peter Ueberroth made the 1984 Olympics the TV games, raising close to a billion US dollars from broadcast rights. Previous to 1984, others focused on stadium seats to be the main supply of revenue.

So we need a big idea. Ueberroth changed the “product distribution” from the stadium seat to the living room couch.

What if we went on a massive YouTube thrust where we put steel bands in worldview and simultaneously start a conversation with the world? Blogging and building a communities interested in tuning, arranging, organising, building teams and all the other great stuff that steelbands do. This will mean steelband people learning some new skills. Skills that are no harder than what they do now. Of course steelbands will also be able to sell their recordings and take bookings.

Or what if we did something crazy like stopping Panorama for a 3 year test period and get steelbands back playing in their community blockos and across T&T. What if we could promise the movement the same level of government subvention to be distributed to its membership as it determines.

Stopping Panorama might be the biggest big idea. It removes the focus on 8 minutes of music and places it back on the instrument and its power to delight well beyond 8 minutes. Do pan people have the belly for this big idea? 

 

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