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Very sad news for Guadeloupe and the rest of the Caribbean. Unfortunately PSE and Kassav are not as known as they should have been. Their music is very rich but given the relative isolation of the french speaking Caribbean from the rest of the Caribbean, it is not widely known. Caribbean people in general know very few about their other Caribbean fellows music, culture, food, art, film etc.I too believe that the man will be missed immensely. I can only hope that both Patrick and Arrow will be singing for the Gods. May they rest peacefully.
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has pan lost its sweetness

I remember walkin up laventille road, an hearing somebody coasting on a pan in many a houses and no matter how tired I was I would speed up and sometimes pass a house only to hear another pan up the hill, as you get closer to the center you can hear the strains of more than one pan now although I was outa gas I would start running, pure sweetness the higher you go the sweeter the sound, you cyar miss the radoes it was allways like entering the gates of heaven as you get to the center, heading to woodford square or the Hollows, on many a Sunday was like being reborn, J'Ourvert was like a wonder of the world,especially by the Trinity Cathedral the acoustics made the pans sound like harps of gold, when Renegades palyed the statue as they reached Independance square a man say "Look the jam so sweet the real statue move"

as I listen tune after tune on you tube I remember the days when Panorama was about sweetness, the tunes told a story you did not need a skit like some bands present today, the music was the skit, even the surviving arrangers from those days today seem to have abandoned the story line,listen to Pandemonium Sailing you can get sea sick, they did not have to bring out a birthday cake in Phase II birthday party because the music feed yuh , pan today is exciting nice jam but no drama, everything all on one level, no design, no clear cut pattern, it is like a piece of quilt just various pieces of music stashed together

there was a time when the worst ban in panorama would leave you with some line or lines that you will hum for the rest of your life, gone are the days when one could identify band by its flavour, the way they roll or flick their notes

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I'm becoming increasingly aware of the movement of pan people around the globe, and it all has to do with Panorama.Not just tuners and arrangers but a lot of young panists are getting the opportunity to travel, and to play the instrument they love.You have panists from Europe, America and as far off as Japan going to T&T (the motherland of Pan) to beat panRecently, members of a band from St Lucia journeyed to beat pan in T&T Panorama.And it is not a one way street either. Panists from T&T travel worldwide to participate in festivals like The Notting Hill Carnival, Caribana and Labor Day in Brooklyn.This is indeed a good thing, both for the development and unity of the steelband movement, and for the growth of the young people involved.On an entirely different topic.Lately I've been thinking about the role that so called "badjohns" played in the development of the steelband, and it struck me that some of the strongest steelband organizations of today are the ones considered "badjohn" bands in days gone by.I think this is no accident.In the old days the leadership of these bands consisted of known street fighters or "badjohns" who were able to defend the band when necessary,and to instill discipline inside the band by force.This was probably the only way to keep control over rambunctious young panmen of the day, many of whom, let's face it, weren't the most disciplined of youth.That discipline kept the bands together, and enabled development of the structures that exists in these bands to this day.So, our history is not all black and white.
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AFROPAN INTERNATIONAL in Gabon, AFRICA!

AFROPAN makes history yet again!


Find more photos like this on When Steel Talks




Afropan Steelband, the oldest and most successful steelband in Canada, is making history yet again this August, as the first Canadian steelband to travel to Gabon, Africa for the purpose of performing.

Gabon is one of the 18 African nations celebrating 50 years of independence in 2010, and are marking the occasion with their inaugural Carnival celebrating their vast multiculturalism. Afropan is honoured that the government of Gabon reached out to them to be part of the festivities, and is proud to represent Toronto, and Canada abroad.

The 24 players will leave on August 11th - August 18. This is Afropan's second trip abroad in as many years; in 2009 the Bermudian government invited Afropan also to help celebrate their anniversary of independence.

**Article thanks to www.toronto-lime.com
**Photos thanks to Tony "The Sniper" Pierre
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