UNSPONSORED steelbands received over $2 million from the Ministry of Community Development, Culture and the Arts last week. The bands collected their cheques at the ministry’s St Ann’s office.
Marcus Ash: I am putting you in charge of producing that report and presenting it on THIS FORUM.
It seems that you are the de facto PRO and the 20,000 readers on WHEN STEEL TALKS are very curious to know how the NORTH PARK mixed in with this NEW PAN
WHAT IS THIS?: A vendor points to a space where a sink is supposed to be inside a booth at the Queen’s Park Savannah yesterday. Vendors are facing a myriad of problems with the booths provided to them by the NCC. PHOTO BY RYAN HAMILTON-DAVIS
....The tragedy is that pan, the soul of Carnival, continues to disappear from our mas. It is being reduced to bastard-sister status in Carnival. After the Panorama competition, only a few bands appear on the streets on Jouvert mornin
I am expecting SKIFFLE to make a BIG MOVE tomorrow but I think that they made a psychologically irrevocable error when they decided to SKATE IN to the SEMIS.
Ah wait ah whole year for these FELLAHS to give DUVONE ah good run for the 1st place money a
When are they going to wake up and realize that they have a BIG GLOBAL FAN BASE that could be integrated into the whole effort of GLOBALIZING the TRINIDAD PAN MUSIC and bringing in the FOREIGN EXCHANGE that they SO LOVE to talk about.
I understand that two of the judges are from Tobago. Also how is it possible for a band to get a lower score in the semi finals based on the critique each band gets in the prelims.This is the talk in the NY pan circles.
National Carnival Commission (NCC) Winston “Gypsy” Peters made a quick run for the exit yesterday when confronted by irate regional Carnival representatives, upset by the significantly less subv
There is a kind of positive energy associated with Carnival and particularly with the steelband movement. Players survive on less sleep and exhibit discipline and high levels of productivity in order to learn their Panorama tune.