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Should panorama judging be abolished?For the longest while I've been pondering this question, and my usual answer has been no, we need competition, because it brings out the best in the bands and arrangers.But listening to Nu-Tones Panorama winning performance of David Rudder's "High Mas" for the umpteenth time, I realize how subjective the judging really is.I mean no disrespect to the legend Clive Bradley, and nothing against Nu-Tones (we all love to see the lesser known bands succeed), but I've listened to this tune upside down and across, and I still can't get the vibes that the judges got from this tune that competition night.I've even listened to the tune after trying some of the stuff that the judges may have been smoking and I still can't get it.Now, I don't have any credentials in music No degrees, accolades or letters after my name, but if there is one thing I know, it's sweet pan music.And I also know that music , like beauty being in the eye of the beholder, is in the ear of the listener.I've been loving pan since biscuit drum, pan round neck days.One of my earliest memories is of my dad taking me to see J'ouvert, and seeing some large men beating drums hanging around their necks. They were chased by the police, because as they beat their drums they were chanting some obscene lyrics to the tune of "I've got a lovely bunch of coconuts" , which was a hit in 1950.(I checked).So I don't need any judges to tell me how pan music should sound.Take Panorama 1984, for example. This is one of my favorite panoramas of yesteryear, though there may have been too much of "Lucy in the Savannah".Check out the top four placing bands. They were:1) Kitch's "Sweet pan" by Renegades (Jit)2)Sparrow's "Doh Back Back" by Trinidad All Stars (Smooth)3)Kitch's "Tourist Elsie" by Casablanca (Henry "Bendix" Cumberbatch).4)Baron's "The Jammer" by Desperadoes(Bradley)Now does anyone have the right to tell any of these four arrangers that someone else's arrangement is"better" than theirs?You may like one arrangement more than the other , but is it "better"?It is purely subjective. And subjective decisions can have serious impact on the fortunes of bands and arrangers.Another case in point.Can anyone really say that Jit's " Mystery Band" was better than Boogsie's "Birthday Party" in 1993?It is your right to prefer one tune over the other, but does that make it better?Forget about all the BS about judging criteria. We are talking about music, and it's all in the ear of the listener.I personally think that Professor's "Pan by Storm" may have been his best work ever, and the best performance of 1990, yet he was not a "winner".I think it's Insulting.One of the main reasons for the competition was to channel the rivalries between bands away from violence and into something more constructive, and in that we've succeeded.Now it's time for something different.Don't worry Panorama lovers, I do have an alternative suggestion.We can still have the preliminaries and even the semifinals.It would be relatively easy to pick the top dozen or so bands in the land.Let the Final night be a Festival instead of a competition, and divide the pot between the bands appearing at that time.The bands themselves (or the steelband governing body) could decide whether to divide the pot equally between all the bands, or maybe to use some sort of a lottery system where all bands would stand an equal chance to win the top prize. This way, nobody feels like a looser.I don't believe that outstanding pan arrangers and bands need competition to produce great music.
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i've been asked several times how to create a video for posting on WST or YouTube. For you computer geeks out there this may be simple, but to others it can be challenging.

There is a free program called "Audacity" that I use to convert the album tracks to digital.


I use a USB turntable; you should be able to use a regular turntable if you can connect it to your computer.


I copy each side of the album, then use the program to export and save the individual tracks In a format that can be used , say MP3 or WAV.


Using the info from the record cover I identify each track and copy relevant info (arrangers, tune name and composers etc.)


I use a digital camera to take pictures of the album cover, etc., and upload it into my computer.


You can use any video editing software, but I use Pinnacle Studio 12. I import the audio track, import the pictures (or video) and create a video in a format that can be uploaded to YouTube or WST. I use AVI or MP4.

For creating videos from video tape, I've found that the easiest way is to use a DVD Player/ recorder that can play VHS tapes.

I record the videos one tune at a time until the DVD is full. One DVD can probably take a whole panorama at the two hour speed. ( I use re-writable DVD media, so that if I make an error I can delete and start over.)
Use the video program of your choice to convert from DVD format and save it in a format that can be uploaded. I use AVI or MP4.


I use a program called DVDfab 7.


Your web site of choice will advise you as to how to upload a video to their site.


Some of these programs are commercial programs, but there may be freeware out there that can do the same.

You should be able to Google them for more info.


For those who are not computer literate, forward this info to your friend or relative who is a computer geek, he'll know what to do.


Hope this helps.

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Bp Trinidad & Tobago and the Renegades Steel Orchestra signed a document symbolizing their continued commitment to each other at the Trinidad Hilton on Wednesday 30 June 2010. The occasion was a function to mark the 40th Anniversary of the bpTT/Renegades partnership. The Chairman and CEO of bpTT Mr. Robert Riley, President of Renegades Mr. Michael Marcano and Deputy Permanent Secretary in the Ministry of Arts and Multiculturalism Mr. Vel Lewis, signed the document. Affixing their signatures as witnesses were the captain of Renegades Ms. Candice Andrews and captain of the Renegades Youth Steel Orchestra Ms. Latoya Dufont.



Addressing the function, the bpTT Chairman and CEO said that his companies association with the Renegades has been a highly rewarding experience. ‘…Rewarding in that it has allowed us as an international business corporation to make a contribution to the growth and development of one of the most distinctive elements of the culture of Trinidad and Tobago – the steel pan. Rewarding, because it has given us the opportunity to make a positive difference in the lives, livelihood, and welfare of hundreds of ambitious young men and women in this country as a whole and in the suburbs of East Port of Spain. Rewarding also, because through our involvement with this steel orchestra we have been able to showcase the musical talent of this country to the rest of the world.’



The Captain of Renegades Ms Candice Andrews had earlier welcomed guest including The President and Secretary of Pantrinbago, players of both the Renegades Steel Orchestra and the
Renegades Youth Steel Orchestra,
arrangers and past captains of the band, the chairman, secretary and other representatives of the Renegades Senior Members Association, staff of bpTT and other invited guest.



Ms Andrews said that she was sure that none of signatories to the first contract between the then Amoco Trinidad Oil Company (now bpTT) in 1970, would have imagined that the relationship they so easily entered into would have blossomed into what it is today. That the signing of a little sponsorship agreement would have had the effect it did on the lives of the men and women that have been a part of the Renegades experience and by extension, on the very history and
development of the national instrument. In thanking bpTT Ms Andrews said, ‘We are eternally grateful to bpTT for their benevolence, for their mentoring, for their brand of collaboration that involves overseeing without interfering. The benefits to us, I can assure you, have been far greater than any pitfalls that may have occurred along the way.’



The President of Renegades Mr. Michael Marcano next gave highlights of Renegades history from the inception of the band in 1948 to present time. He hailed Renegades as the most acclaimed and perhaps highest profiled cultural ambassador of Trinidad and Tobago and of steel band music. The Deputy Permanent Secretary in the Ministry of Arts and Multiculturalism, Mr. Vel Lewis, representing the Minister of Arts and Multiculturalism, the Honourable Winston Peters who was unavoidably absent, congratulated bpTT for being a good corporate citizen.


Ms. Ashley Stephens, a representative of the Renegades Youth Steel Orchestra delivered the closing remarks in which she claimed that to her and the other members of the Renegades Youth Steel Orchestra, the signing
symbolized more than just a commitment to continue the bpTT/Renegades partnership. ‘To us it represents a rebirth of sorts—a passing of the torch from one generation to the next, something to which we will have reference when we take our place in the senior orchestra in time to come.’
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Did any one read this comment on the Trinidad Guardian ?

Submitted by uncthat on 1 July 2010 - 10:55pm.

MURDER AT NAPA. Congrats to Minister Gypsy Peters and the Pan Fraternity for an excellent two night of

glorious pan at NAPA. We were killed with sweet pan. The ghettoes boys traded their guns for pans and murdered us with glorious music. Honourable mention to Tripolians,Desparadoes, KatzenJammers, Invaders, Fonclaire,Exodus, All Stars, LH Pan Groove, Phase II, Laventille Sound Specialist, Renegades, Skiffle Bunch and Silver Stars.

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